15 Pears

15 Pears

This is one of the pieces I started during my week at a surface design retreat. The colors are a real divergence for me. I agreed to donate 3 10"x10" pieces for a local charity event in October. Knowing how I can not always trust my body to behave, I'm trying to do them now. One done, 2 to go.

This one has many textures and is both silk screen and free form paint applied with some little scrapers I made out of Styrofoam. The Styrofoam was the kind that food is put in at the market. This is easy to cut and shape. Hope you all try using this free material.
 
I'm not a big fan of variegated thread.  However, it just seemed to fit this colorful piece.  Comments appreciated.  What else could I have used.

Flower Child

original photo of Morgandy (taken by her Father)

I finally finished this FFFC quilt I've been working on for two weeks. I had the concept before my week at the surface design workshop. I actually made a background for it while I was there. Therefore, it should have gone very quickly. Well almost. There were a few bumps in the road.

Although I had a photo I was planning on using. I wanted it bigger than the printout from the 8.5"x11" size that is my printer capability. To get around this, I thought I would rotate the photo. When I tried this in Picasa, I lost large hunks of the photo. I went into Paint, added some blank edges all around. Then back to Picasa to rotate it. This worked GREAT. Then I was able to trim to size. Therefore I printed the largest possible image of Morgandy on the same size paper.

Morgandy rotated after adding borders all around.

Sorry I could not show the borders added.

Apparently the file type is not compatible to this system.

Original rotated and cropped photo after some added paint.

You will notice the original photo has some hidden body parts. I painted over the photo to add those parts. At my first try, I painted the shoes with a 'shiny black' paint.  It looked more blue than black.  It took 3 coats of paint to cover that up.

This is the background that I made specifically for this quilt.

Satisfied, I tried the cut out against my intended background. Nope! That did not work. I went through my stash and found some flowered fabric I really thought would work. Nope. That was not it either. Then my small group came to the rescue. Peggy suggested I use bites of both, yet turn over the flowered fabric because it was so bright. [I love bright, gaudy and glitz.] That worked much better and became my finished background.  Thanks Peggy.  I couldn't have done it without your input.

Problems quilting were major tension problems. Of course when the machine is giving me tension problems, I also tense up. Finally I just did it. I decided to quilt around each flower petal so that it would really look like a blanket of flowers.

After the binding was on, I hated the binding. I thought the black would frame the quilt and the black jumper would pick it up. No. It was overpowering. Off with the binding. Next I faced it. That was rather quick except for the hours of picking out the batting from the micro stitching I like to use.

'Flower Child', 12" x 17.5"

detail showing dimensional flowers

'Flower Child' detail

In the end I am pleased with it. When the facing was stitched I added the intended dimensional flowers.

It is a Mother's Day gift for Morgandy's Mom. I think she will like it. At least I am happy with the outcome. I'm finishing a bit close to the gift giving deadline, but I did make it.

Published Again

My quilt, 'The Retrospective Theater' is on page 226 of the beautiful new Lark book, "500 Art Quilts".

Now available in stores and by email order.
http://www.larkbooks.com/catalog?isbn=9781600590580

This is my quilt, 'The Retrospective Theater", 

as viewed in the "The Silver Screen" exhibit during the International Quilt Festival in Long Beach, California 2008.  [This photo, courtesy of Larkin Van Horn, is not in the book.]]

Gable and Corbert closeup. 

[This photo not in the book]

To see the photo that is published in this lovely book plus step by step of how I made the quilt, please click the following link.

http://designerann.blogspot.com/2008/07/retrospective-theater.html

Comfortable

Fiberarts Squared is a new group doing a 12" X 12" challenge every two months. This is the first challenge. The hostess chose the word 'comfort'. This was interpreted in many different ways.

I tried to think of what image would bring to mind some form of the word comfort. My little baby nestled on his mother's shoulder makes me think 'comfortable'. After all, what could be more comforting or comfortable than snuggled in that soft, warm niche of a mother's neck and shoulder as she cradles you in her arms.   So comfortable in fact, the baby fell asleep.

Comfortable

The 'painting' was drawn on soy milk soaked fabric using water color pencils. Even after heat setting, I found the color was not permanent. Therefore, I painted on a thin layer of medium. I then heavily quilted the face. I'm not totally satisfied with how the face came out. I drew my intentions on a print of the painting. However, sometimes when I looked up to see the quilt line drawing, I moved off my spot. What I think I really need to do is make some marks directly on the quilt. I got a liquid pen with wash-away ink. That dried up almost immediately. The marks left by chalk were too big. Suggestions appreciated.

Egret Mobile study = fabric art on the move

You have to be over 'a certain age' to remember Frank Sinatra belting out “My Way”.   I remember it well. As this project morphed from one thing to another the words, “I did it my way” kept floating through my mind.

The Fast Friday Fabric Challenge this month: something with wings, fractured, and done with only 3 colors out of the primary and secondary colors + black and white.

As I began to look at the suggestions for fractured things, mosaics appealed to me. Thinking on a grand scale I thought I would do a fractured water lily with an overlay of a dragonfly. I had some sheer fabric just waiting to be used. I found several dragonfly photos, blew one up to a size I thought I could stitch, ~20” long for a single wing. I'm thinking maybe I'll just do the wings as a mobile. By Sunday night I had finished tracing both parts of a single wing onto a sheer paper so that I could just turn it over to get the other side. Taking a break, I got something to eat. When I picked up the spoon to eat my soup, a horrible pain went through my fingers, hand and arm. I could not pick up a spoon without horrible pain. I took some Ibuprofen and sat down at the computer to read; just rocking and holding my injured arm.   I had stupidly injured myself. I definitely was not going to trace these again. Of course I was able to eat using my left hand.   Not much stops me from getting food into my mouth.

Dragon Fly Wing Drawings on my Work Table

The next day I took my drawings to a copy place. 4 to 5 hour wait. Nope. I just could not do that. Luckily I didn't do that because when I tried to stitch my sheer fabric over the paper, I could not get the paper out of those little bitty spaces. HMMM.

Butterfly Drawing with thoughts about making it into a mobile.

More research for a winged thing. I was now loving the idea of a mobile. As I surfed, I saw a GREAT plane with a man inside running across the ground. The wings were 3 high and the tail had lots of interesting pieces. I can now imagine this could really have a lot of movement. As I started drawing and planning, I realize I really didn't want a plane. How about a butterfly; hours later that was not working for me. I started looking at birds and mobiles. I did not want a flock of birds. Rather, my vision, was for one bird that I would fracture.  HMMM . . . an egret in flight.

Egret mobile with sheer bits, black wire and painted [also weighted] beak.

Finally, I have something I really like.  Luckily, I decided to do a small study instead of a LARGE piece.  Balancing the pieces was tricky for me. I used thin black wire and bent my shapes and attaching rings. I pounded the shapes a little to give them a little stiffness and help them keep their form.  Because normally these things are done using heavier materials then soldering a ring at the balance point, I added weight [extra wire] when I did my balancing. The beak is really lots of wire, wrapped, then painted. I sewed a layer of sheer fabric to each side, stopped the fray with liquid stitch, then purposefully frayed the edges, ie feathers.

Egret mobile view from kitchen.

Egret mobile from dining [now quilt art studio]

I have no idea why this is turning up yellow in this photo.  It really is two different sheer white fabrics.  I used one fabric on one side and another on the opposite side.  I sewed with a clear polyester in the bobbin and a silver thread on top.  As I researched fabrics, polyester is the most resistant to sun and age deterioration.  This was the reason for my fabric and thread choices.  This is so lightweight that it is continually in movement = success for a mobile.

Remembering the goals of this group: “it is through doing that we will learn.” Yes, I learned a lot. Plus, the end of the challenge always states something similar to , “remember to have fun”. Please note it is the Fast Friday Fabric Challenge; not a quilting challenge.

Yes, “I did it my way. . . "